Monday, December 15, 2008
Wednesday, December 10, 2008
Thursday, December 4, 2008
Wednesday, December 3, 2008
So, perhaps it's not "IF" walls can talk, rather "IF" we listen when they do... or something like that.
Illustration done for Studio Illustration class. Assignment was to do an illustration based around "If walls could talk."
Not quite done yet, there are still a few places that need work, maybe adjust some values. I will post the finished one soon.
Acrylic on Masonite.
Wednesday, November 19, 2008
This illustration was for our environment illustration 4 class. The assignment was to do something with "Home on the range" had an emphasis on showing atmospheric perspective in a landscape. I don't like my colors in this one, but the Giant does look comfortable. Still needs some work on edges and the like.
Friday, November 14, 2008
This was done as a b-day present for my youngest sister Asia. Happy B-day Asia!
I did this right after watching a painting demo by Illustrator Rudy Gutierez. He demonstrated an interesting method. First he tones his paper with oil paint and terp, rubbing it in with a paper towel. the paper absorbes the oil. Acrylic can then be painted over the thin oil. He then supplements his acrylic with colored pencil. So this was me experimenting with Rudy's technique.
Wednesday, October 29, 2008
This was again for the Studio Illustration class. The theme was the Greatest invention ever. I like the idea of robots being fascinated or even obsessing about the duck tape, but I think I can work the story a little more. Right now it is a pretty static composition.
This is a small "jellybean" book made out of scraps left over from book binding. It is a double fold book with coptic stitching. I have donated it to BYU's annual Vending Machine sale and proceeds will go to the Food Coalition. Come and Support the show!
This was for an assignment in Studio Illustration. The topic was "Work" and the above scripture (Gen 3:19). I did a digital under painting (painting circles is absolutely no fun at all) with acrylic on top. This was fun to paint. I have made a few adjustments since these pictures were taken, I will post them soon.
Tuesday, October 21, 2008
Note to self: don't eat aliens. The point of this piece was actually the landscape in the background, but needless to say, I had the most fun drawing the croc. I Still need to fix a few things here, I was a little heavy on the reflecting orange light.
Illustration 4 fall 2008.
Monday, October 13, 2008
More pen drawings. These are all for Margret's Illustration Buisness class. The painting is for my buisness card which folds in half to make a regular card size.
The image of the boy riding his horse is for the envelope (he is holding a kite string with the stamp on the envelope being the kite) and the image of the 2 running figures is on the bottom of the letterhead. I almost like the pen drawings more than the painting. There seems to be more life in them... Hmmm... going to have to figure that one out.
Sunday, October 5, 2008
The Great I Am. This was the theme and image for last years christmas card (BYU Visual Arts dept.). Students in Bethanne's illustration class were each asked to illustrate an aspect of christ as the great I Am. All the pieces were beautiful and spiritualy insightful into the true chrismas theme.
This is Oil with Acrylic underpainting. Many thanks to my cousin and brother for modeling for me.
Good old King Richard. This was an illustration done for Bethanne Anderson's narrative story telling class (fall 2007). If you are not familiar with the story, King Richard commits terrible crimes, kills many innocent people and basically sells his soul and humanity to become king. In the usual ironic shakespearian twist, The story ends with King Richard dehorsed in battle. He cries out his famous lines "A horse, A horse! my kingdome for a horse!" but is abandoned and is killed like a boar in the hunt. I experimented with symbols in this piece. Hope for richard flees with the white horse. While his humanity and sould takes flight on the wings of crows. Richard even has a boar on his breastplate, symbolizing the state of his death.
But here are some still lifes I did in Bro. Barretts illustration 2 class. I don't like doing still Lifes and havn't done any since, but they are good for figuring out value.
Friday, October 3, 2008
Jelly bean books are tiny books made out of the paper scraps left over from your regular bookbinding projects. Save paper edges and scraps of decorative paper. These are part of a set I gave to my twin sisters for their birthday. The green one is a flatcase binding with pastepaper cover. the middle coptic is actually a double sided book. There are endless fun possibilities with a coptic bind. note the book made out of an old watch face.
Alder wood journals. The first was for my sister and is stained to resemble Mahogany. Alder wood however has a luminesent quality to it under natural lighting and is a very beautiful light wood to work with.
The 2nd book was for my dad. it has a lighter golden stain with purposful dripping patterns.
Note: Knothole window. The viking is a sort of fun, family symbol. Our ancestry is danish and we have a collection of carved wood vikings. the first page painting is one of these. Foredge also has gouche painting.
This is my most recent coptic book. It will be a journal for my brother. I have a Mayan/BOM theme. The embossed metal carries glyphs that are scripture references to verses about wearing the armour of God. note the burned wood Questocoatle (sp?) key. the lock carving represents the liahona.
Once again I am using my faux leather technique. other materials: nickel lock, leather, wood, waxed linnen thread. The flap will carry a pen holder. Front, back and inside pastedown pictures. Pastedown is Ingres paper with walnut ink bleeding.
This was my first book in Judy's book binding class. It is a open coptic binding which I have found is excellent for sketch books. Text block is Mohawk offwhite. The in set is a Polymer "green man" with inset yellow agates (that i found on the calif. coast )for eyes. Cover is a silkscreened japanese paper. I am very rough with my sketch books any carry them everywhere and this book got a little beaten up. I added the metal corner protectors later. The paste papers are original hand painted green men designes done in gold gouche.
This was my first papercase book, done in Judy Sommerfeld's Book binding class. (Fall 2007)
Text block - Each signature is individually stained with walnut ink to give it an aged weathered appearance. Mohawk white.
Cover - Brown Cave paper with walnut ink drawings on front and back. castles reminiscent of Howard Pyle wookcuts.
Faux bone clasps (I found that carved PVC pipe looks and feels alot like bone) and hand sewn and dyed endbands.